Daniel Miller integrates robotics, media and electronics, exploring systems and ecologies. Currently, Associate Professor in Sculpture, The School of Art & Art History and he is also a member of the Public Digital Arts faculty cluster at University of Iowa. He teaches sculpture courses that integrate robotics, mechanical fabrication and electronics. Previously, he was Adjunct Associate Professor, Art & Technology Department, School of the Art Institute of Chicago, 1997-2014. Miller received his MFA in 1997 from the School of The Art Institute of Chicago in Time Arts, he received a in BA Sculpture in 1994 from Hope College, Holland, MI.

International Exhibitions include: ISEA 2017 Manizales Colombia; ISEA 2016 Hong Kong; iDEAS exhibition at International Digital Media Arts Association 2017 Conference, Washington DC;iDEAS exhibition at International Digital Media Arts Association 2016 Conference, Winona, MN; ISEA 2012 Albuquerque, ISEA 1997 Chicago; International Festival of Electronic Art 404, Basel, Switzerland and Trieste, Italy; Tweak, Interactive Art & Live Electronic Music Festival, Limerick, Ireland. 

National exhibitions include: Ebb & Flo, Solo Exhibition, Evanston Art Center, IL; Simulating Nature, Solo Exhibtion, Cohen Gallery, Brown University, RI; Place, Manifest Gallery, Cincinnati, OH; Synthetic Zero, Bronx Art Space, Bronx, NY; Body and Machine 2016, Minneapolis, MN; SpotLight, Elmhurst Art Museum, IL; Faculty Biennial, Figge Museum, Davenport, IA; Objective/Subjective: Mapping, NIU Art Museum, DeKalb, IL; Conflux, Pearl Conard Gallery, Ohio State University at Mansfield, OH; KY.7 Biennial, Lexington Art League, Lexington, KY; Altered Landscapes, solo exhibition, Moraine Valley Community College, Palos Hills, IL; The Rockford Midwestern Exhibition, Rockford Art Museum, Rockford IL; Ten, 10 year invitational exhibition, Soap Factory N.N.E., Minneapolis,MN; in::formation, Betty Rymer Gallery, Chicago, IL; Interchange,  solo exhibition, Gallery One, Elgin Community College, Elgin IL.

Mentioned in: Anthropocene”, Issues in Science and Technology Spring 2018, National Academies of Sciences, Engineering, and Medicine,  Vol. XXXIV, Number 3, pages 64-72. Leonardo, "in::formation, The Aesthetic use of Machine Beings, Vol. 33.;  The Chicago Reader "Technically Brilliant" by Fred Camper. Information Arts, Intersections of Art, Science, and Technology.,  by Wilson, Stephen.  ASEF Culture 360, “ISEA Cultural R>evolution”, review by Hugh Davies, http://culture360.asef.org/magazine/international-symposium-of-electronic-art/ .

Grants & Awards; Art and Humanities Initiative Grant 2017, University of Iowa; Old Gold Fellowship 2015, University of Iowa; Faculty Enrichment Grant 2012 & 2008, SAIC; CAAP Grant; Herman Miller Art Award; Holland Area Arts Council Award.

URL: http://www.danmillerart.com/